Peter Tscherkassky Movies

256 frame enlargements of a continuous dance movement were dissected into 16 segments, each consisting of 16 frames. These segments were rearranged...

Aderlaß is a youthful attempt to process the inheritance of the Vienna Actionists through the use of a super 8 camera. In front of the camera...

Not a stage direction, but rather something very concrete is hidden behind the technical term. Something which betrays a little of the yearning for...

Parallel Space: Inter-View is made with a photo camera. A miniature photo is exactly the size of two film frames. Optically it resembles a flickering...

The target of Tabula Rasa is the heart of cinema. Voyeuristic desire as the pre-condition for all cinema pleasure is at stake here. What Christian...

Freeze Frame is an example of a filmic significator from which the transparency and invisibility has been removed. Material which has been repeatedly...

A propulsively jittering journey through the cinematic imaginary using glitchy found footage and jacked-up cyber sounds, Get Ready hits the highway...

Alternating between recognizable and abstract picture worlds, between theoretical reflection and lush sensuality is the main distinguishing...

On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of...

(for Ernst Schmidt jrs. trilogy Memories of a Nervous Illness, part 1 & part 2) 1987/88, 16mm (S 8 blow up), á 4 min, colour & b/w

In this Documentary Peter Tscherkassy talks about his work and he demonstrates in the Darkroom how his Movies are made.